Theoretical Deconstruction and Innovation of Digital Immersion in Traditional Chinese Opera under Media Contexts

Yunyi Zhou

doi:10.54254/2753-7048/2025.ND25237

Lecture Notes in Education Psychology and Public MediaOpen access

Theoretical Deconstruction and Innovation of Digital Immersion in Traditional Chinese Opera under Media Contexts

Research Article

Open Access

Theoretical Deconstruction and Innovation of Digital Immersion in Traditional Chinese Opera under Media Contexts

Yunyi Zhou ^1*

¹ Xiangtan University

^*Corresponding author: zhouyunyi1231@outlook.com

Published on 20 July 2025

LNEP Vol.109

ISSN (Print): 2753-7056

ISSN (Online): 2753-7048

ISBN (Print): 978-1-80590-281-2

ISBN (Online): 978-1-80590-282-9

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Abstract

With the rapid development of digital technology, the digital immersion exhibition of traditional opera, as a new form of exhibition that integrates traditional opera with modern technology, uses VR, AR, holographic projection and other technologies to construct immersive scenes, breaking the limitations of traditional opera time and space, and opening up new paths for cultural inheritance. Research has found that there are problems with the current digital immersion exhibition of traditional Chinese opera in terms of technology, cultural dissemination, and setting. This study focuses on the theoretical logic and practical challenges of digital immersion exhibitions in traditional Chinese opera in terms of technological application, cultural dissemination, and scene construction, using the framework of media context and immersive communication theory. The research adopts a literature analysis method to sort out theoretical achievements, analyze relevant materials and literature. The results indicate that there are problems with the current digital immersion exhibition of traditional Chinese opera, such as insufficient technological adaptability, superficial cultural dissemination, and lack of coherence in scene ecology. From this, it can be concluded that it is necessary to establish a "technology art" collaborative mechanism, innovate cultural narrative strategies, improve scene interaction ecology, and explore practical directions such as intelligent navigation and metaverse communities to promote their transformation towards "cultural empowerment" and achieve sustainable development.

Keywords:

Digital Immersion Exhibition of Traditional Chinese Opera, Technology integration, Cultural dissemination, Scene construction.

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References

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