From Viewing to Spreading: A Study on the Social Media Dissemination Motivations and Behavioral Characteristics of Immersive Exhibition Audiences
Research Article
Open Access
CC BY

From Viewing to Spreading: A Study on the Social Media Dissemination Motivations and Behavioral Characteristics of Immersive Exhibition Audiences

Zixuan Liu 1*
1 Central Academy of Fine Arts
*Corresponding author: liuzixuan-lilyliu@outlook.com
Published on 23 October 2025
Journal Cover
CHR Vol.89
ISSN (Print): 2753-7072
ISSN (Online): 2753-7064
ISBN (Print): 978-1-80590-459-5
ISBN (Online): 978-1-80590-460-1
Download Cover

Abstract

With the continuous development of digital technology, immersive exhibitions have rapidly emerged as a new form of exhibition. Although there are many studies on immersive exhibitions regarding their presentation forms and technological applications, or their role in educating audiences and enhancing audience experience, the impact mechanism of these exhibitions on audience social media communication behavior has not been fully explored. This article, based on the SOR theoretical framework, empirically analyzes how different forms of exhibitions influence audience social media behavior through perceived immersion and perceived enjoyment using a questionnaire survey method. The study found that immersive exhibitions significantly stimulate higher social media communication behaviors compared to traditional display exhibitions, and perceived immersion plays a complete mediating role in this link, while perceived enjoyment, although positively correlated with communication behavior, does not show significant mediating effects. Based on this, the article suggests enhancing the 'shareability' of exhibitions, balancing immersive experiences with content depth, and actively guiding social media communication to enhance the communicative effectiveness and cultural impact of exhibitions.

Keywords:

Immersive Exhibitions, Social Media Behavior, Communication Motivation, SOR Framework

View PDF
Liu,Z. (2025). From Viewing to Spreading: A Study on the Social Media Dissemination Motivations and Behavioral Characteristics of Immersive Exhibition Audiences. Communications in Humanities Research,89,48-54.

References

[1]. Anderson, G. (2004). Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift. Walnut Creek, CA: Altamira Press.

[2]. Howes, D. (2014). Introduction to Sensory Museology.  The Senses and Society, 9(3), 259-267.

[3]. Lyu, X., Li, Y., & McCabe, S. (2022). Expanding theory of destination loyalty: The role of sensory impressions. Tourism Management, 89, 104456.

[4]. Packer, J., & Ballantyne, R. (2016). Conceptualizing the visitor experience: A review of literature and development of a multifaceted model. Visitor Studies, 19(2), 128-143.

[5]. Kirchberg, V., & Tröndle, M. (2012). Experiencing exhibitions: A review of studies on visitor experiences in museums. Curator: The Museum Journal, 55(4), 435-452.

[6]. Mehrabian, A., & Russell, J. A. (1974). An approach to environmental psychology. MIT Press.

[7]. Kim, M. J., Lee, C. K., & Jung, T. (2020). Exploring consumer behavior in virtual reality tourism using an extended stimulus-organism-response model. Journal of Travel Research, 59(1), 69-89.

[8]. Weibel, D., & Wissmath, B. (2011). Immersion in computer games: The role of spatial presence and flow. International Journal of Human-Computer Studies, 69(1), 84-93.

[9]. Lee, Y. K. (2021). Impact of museum service quality on visitor satisfaction and word-of-mouth: Mediating role of perceived value. Journal of Hospitality and Tourism Management, 49, 480-489.

[10]. Wu, X., Liang, X., Zhang, X., et al. (2024). Visitor Immersion: Conceptualization, Scale Development, and Testing. Tourism Science, 38(09), 59-77.

Cite this article

Liu,Z. (2025). From Viewing to Spreading: A Study on the Social Media Dissemination Motivations and Behavioral Characteristics of Immersive Exhibition Audiences. Communications in Humanities Research,89,48-54.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

About volume

Volume title: Proceeding of ICIHCS 2025 Symposium: Integration & Boundaries: Humanities/Arts, Technology and Communication

ISBN: 978-1-80590-459-5(Print) / 978-1-80590-460-1(Online)
Editor: Enrique Mallen , Cai Yong
Conference website: https://2025.icihcs.org/
Conference date: 17 November 2025
Series: Communications in Humanities Research
Volume number: Vol.89
ISSN: 2753-7064(Print) / 2753-7072(Online)