Attraction Mechanism of Chinese Idol Talent Shows to Audiences
Research Article
Open Access
CC BY

Attraction Mechanism of Chinese Idol Talent Shows to Audiences

Zhuoyue Zhang 1*
1 Hunan Normal University
*Corresponding author: zhuoyuez37@gmail.com
Published on 3 September 2025
Journal Cover
CHR Vol.77
ISSN (Print): 2753-7072
ISSN (Online): 2753-7064
ISBN (Print): 978-1-80590-347-5
ISBN (Online): 978-1-80590-348-2
Download Cover

Abstract

This study focuses on improving the increasingly homogeneous market of idol training talent shows. It is based on multiple academic papers and employs the method of literature analysis, comparatively analyzes the innovative aspects of the attraction mechanisms of Chinese idol training talent shows compared to those of other types of talent shows in China in the early years, make a systematical research on development history of Chinese idol training talent shows, and it takes“Produce101” for instance, make a contrast analysis of the attraction mechanisms of Chinese idol training talent shows before and after 2018 from five aspects: competition system design, audio-visual language, narrative techniques, business models and fan participation. The study found that Chinese idol training talent shows have undergone a development process from imitation and introduction to localization and innovation, several programs, such as “Produce101” and “Idol Producer” were produced. They attract audiences by enhancing fan engagement, creatively and rationally designing the competition system, enriching audio-visual techniques, applying companion-style narrative strategies, and promoting the systematization and diversification of business models. This article focuses on the development history and innovation points of idol training talent shows, analyzes the attraction mechanisms for their successful viewership, and conducts research on issues such as how they survive and develop, in order to promote related academic research and apply it more deeply in guiding practice.

Keywords:

Chinese idol training talent shows, Produce101, audience attraction mechanisms, Super Idol, X fire.

View PDF
Zhang,Z. (2025). Attraction Mechanism of Chinese Idol Talent Shows to Audiences. Communications in Humanities Research,77,7-14.

References

[1]. Zhang, Y.W. (2019) Idol Industry and the Construction of Youth Culture. Chinese Television, (7), 33–37.

[2]. Wang, F. and Wu, F.J. (2020) 2020 Report on the Development of China's Idol Industry. Modern Communication, (8), 1–6.

[3]. Huang, M.Y. (2020) Research on the Evolution of Ethical Misconduct in China's Talent Shows: From the TV Program "Star Maker for the Common People" to the Online Variety Show "Idol Making". Today Media, 28(4), 65–68.

[4]. Zhao, F. (2021) The Rise and Fall of Talent Shows Reveal the Changes in Their Business Models. Business Observation, (17), 6–12.

[5]. Sun, Z. (2022) Analysis of the Evolution of Values in Reality Shows in the New Era. News Communication, (16), 122–124.

[6]. Liu, S.H. (2016) On the Influence of TV Talent Shows on the Values of Young Students. Journal of Huanggang Polytechnic, 18(6), 88–90.

[7]. Xu, C. (2018) Research on the Stories of Characters in TV Reality Shows: Taking "China Dream Show" as an Example. Media Forum, 1(11), 62+64.

[8]. Wang, Y. (2017) From "The Voice of China", We Can Explore the Interactive Models of China's Talent Shows in the New Media Environment. Drama House, (3), 155.

[9]. Zhuo, Y. and Zhao, Y.Y. (2018) Investigation on the Impact of TV Talent Shows on the Values of Middle School Students. Times Education, (14), 103+109.

[10]. Wang, P. (2018) Icon Form and the Business Model of Program Analysis. Media, (9), 45, 48.

[11]. Lv, R.N. (2010) The Phenomenon of Following the Trend in Entertainment Programs as Seen from "If You Are the One". Film Review, (19), 69–70.

[12]. Wei, Z.C. (2017) An Empirical Study on the Impact of TV Talent Shows on the Values of Post-90s College Students. Party Building and Ideological Education in Schools, (6), 91–93.

Cite this article

Zhang,Z. (2025). Attraction Mechanism of Chinese Idol Talent Shows to Audiences. Communications in Humanities Research,77,7-14.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

About volume

Volume title: Proceedings of ICADSS 2025 Symposium: Consciousness and Cognition in Language Acquisition and Literary Interpretation

ISBN: 978-1-80590-347-5(Print) / 978-1-80590-348-2(Online)
Editor: Yanhua Qin
Conference date: 20 October 2025
Series: Communications in Humanities Research
Volume number: Vol.77
ISSN: 2753-7064(Print) / 2753-7072(Online)